Yesterday we got the opportunity to visit with and photograph Zealandia's takahē chick - the first chick for the eco-sanctuary and one of only about 370 takahē left in the world. As you can imagine, every chick is precious and vital for the survival of their species. So for now, there is restricted access, but hopefully soon the general public will be able to see the chick too. (Our access was due to our roles as volunteer Sanctuary Storytellers).
And not only do we have a calendar, but through October and November, selected and additional photographs and longer stories from the calendar will be on exhibition in the Zealandia Stairwell Gallery. Come and find out why we love Zealandia so much!
With stories by Louise Slocombe, Vanya Bootham, Chris Gee, and Lynn Freeman, and photographs by Janice McKenna, Hayley May, Andrew Hawke, Linton Miller, Chris Gee, Lynn Freeman, Brendon Doran, and myself, there is something of interest for everyone.
And now the 2019 calendar is sorted, I'm already thinking about 2020 - what would you like to see featured?
The volunteer Storytellers' support Zealandia's fundraising efforts with the calendar and postcards, amongst many other activities. Individual artists and photographers also have high-quality prints and photographs available in the store. Proceeds from sales go directly to support Zealandia's not-for-profit conservation and restoration efforts.
From teeny-tiny fungi to crazy kākā, the 2018 Zealandia calendar is a cracker! The creating of the calendar is one of the biggest projects my volunteer Sanctuary Storytellers group at Zealandia undertakes. Every year it gets better and better, with gorgeous wildlife photography and compelling stories. And at $19.90, it makes the perfect stocking stuffer or secret Santa gift. You can get it from the Visitors Centre shop or order online.
Not only are there 13 months, but NZ holidays are marked along with significant wildlife and conservation days. And every cent made goes back into conservation.
A true team effort with photos, writing, research, and editing from: myself, Vanya Bootham, Rosemary Cole, Brendon Doran, Lynn Freeman, Chris Gee, Chris Helliwell, Eeva-Katri Kumpula, Hayley May, Janice McKenna, Linton Miller, Ali McDonald, and Louise Slocombe.
For over three years I've been searching for Zealandia's kākā kura - a very rare red colour morph (variation), seen and photographed by a lucky few, but not by me. And finally I saw a wee orange head emerge repeatedly from within a clump of muehlenbeckia to feed. She was unmistakable! With salmon-orange feathering on and around her head, rather than grey and yellow, and an overall colour of burnished mahogany, she was drop-dead gorgeous. And nothing like any other kākā I'd ever seen.
Such a shy character too, but given how much she ate, I suspect she has many hungry mouths to feed and so was willing to take the risk of being seen by humans. Kākā are not normally that shy, but I suspect only kākā kura with shy genes survived the onslaught of Victorian collectors, who were hell-bent on scoring yellow, white, and red kākā colour-morph skins for their pathetic but highly-prized collections. If only they had cameras rather than shot-guns...
And this shy girl is of special significance to me - she came from one of the nests I monitor and I'd even held and cuddled her when she was banded and micro-chipped back in 2010 (and this is why I left the leg-bands in the image rather than photo-shopping them out). Back then, her colouring was normal so it presumably only changed after her first moult - she wasn't seen again until 2013. So as she's a banded bird, we know for sure it's the same bird each time she shows up, and we do know a little bit about her history.
Her mum "Pinky-B" was one of the first generation of kākā to hatch at Zealandia after the initial translocation. Her dad "Heath" hatched the year after. Both mum and dad are the progeny of the infamous Alfie Kākā and his first partner, making them brother and sister, albeit from different nests. Pinky-B and Heath were prodigious breeders too, so who knows what other interesting recessive genes and mutations are out there. Heath disappeared some years ago, but Pinky-B keeps going, though now she's partnered with her son/nephew and her fertility has dropped.
Monitoring bird nestboxes often involves lots of waiting around for mum to leave the nest, often to find there was no one in the nestbox to begin with. One way to expedite this process with some species is to use a small car mechanic's inspection mirror (which has an adjustable-angle mirror and a telescoping handle) and a flashlight to get a glimpse of the box contents. This can take a lot of futzing around to get the angles right, and some of us just don't seem to have the coordination required.
After a particularly frustrating kākā-monitoring outing with various failed attempts at using a mirror, I wondered if it might simply be easier to stick my Nexus 5X into the nestbox "porthole" and take a quick HDR+ photo without any additional light or flash. (The entrance porthole is for birds to get in and out of the nestbox - for kākā it's about 10cm wide and about 50cm above the floor of the nestbox which makes it a convenient size for a mobile phone.)
Et voila! It worked. Not only was I able to ascertain whether the nestboxes were active or not, but the pictures were clear enough in some cases to count the eggs and age the chicks, such that I didn't need to open the box. The whole process (for me at least!) was much faster than mirroring, meaning less disturbance to the nest occupants, as well as providing a permanent record of the nest check.
The 2017 ZEALANDIA calendar is now available and it's filled to the brim with gorgeous nature photography, including my enthusiastic mating kākā photo! This year, the images came from the 2016 "Spirit of ZEALANDIA" photo competition, judged by National Geographic and Photo Ark photographer Joel Sartore. There is a wide mix of bird photos, other critters, plants, and landscapes, all taken within the Sanctuary valley. The accompanying stories were lovingly crafted by volunteer Sanctuary Storyteller and Radio NZ journalist, Lynn Freeman. The calendar itself was researched, designed and edited by the Sanctuary Storyteller team. It's a pleasure to convene this team of talented and dedicated people. The calendar is a true labour of love and we are all glad to be able to use our talents to support ZEALANDIA in a tangible way.
The calendar makes a perfect Christmas present and all proceeds go directly to supporting ZEALANDIA's vision.
You can buy it online here or pop into the Visitors Centre.
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Judi Lapsley Miller
Fine art inspired by the stories of birds and the natural world. Starting with photographs, I let my imagination take me on flights of fancy. What is real and what is imagined is blurred. What is physical and what is virtual is disrupted. Bursting with colour and life.
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