We're kicking off Week 1 in the 2020 Art of Birding photo challenge with "Where I Stand," which alludes to the Māori concept of "tūrangawaewae" - a place of empowerment and connection. As a Pākehā and as someone who grew up living in many different places, I can only have an inkling of what it feels to be connected to the land in that way. The closest I come is my current home in Wellington, New Zealand, and especially Zealandia EcoSanctuary. For the past 16+ years I've been involved in this huge community project to restore an inner-city valley to a pre-human ecosystem. Not only have we transformed the valley into a lush landscape teaming with birdlife, but we've transformed the surrounding city. Wellingtonians are now fortunate to live in one of the few places in the world where biodiversity is increasing.
Today we went for a typical walk at Zealandia, but instead of the usual feelings of peace and tranquility, I was struck by the feelings of impending doom. The light was low and the air filled with haze and the faint smell of burning. Not because of anything local, but because the apocalyptic climate-change-enhanced bush fires from Australia have spread smoke across the Tasman Sea over 2000km away to New Zealand. The scale of these fires is unfathonamble and unprecedented and I can't bear to think of the lives lost - both humans and other animals. So many friends and family across the ditch are in harm's way.
It's the start of new year and a new decade, which should be a time for hope and anticipation of good things to come, but it feels more like the beginning of the end of life as we know it. Is it really as bad as we're told? According to this recent article by Jonathan Franzen, it's probably worse, because as he quite rightly points out, scientists tend to be cautious and underestimate the likely impacts of climate change. We are now living a "new normal".
So what can we do? It seems so insurmountable, but I'd rather we try than just give up. It may just be a little thing, but I hope that this photo challenge gives some of us a voice to our concerns, and, in conjunction with compelling imagery, will spread ripples throughout our friends and families. Showing our love for our wildlife and wildspaces and what we have to lose if we don't change our ways. Right now. Right away.
Yesterday we got the opportunity to visit with and photograph Zealandia's takahē chick - the first chick for the eco-sanctuary and one of only about 370 takahē left in the world. As you can imagine, every chick is precious and vital for the survival of their species. So for now, there is restricted access, but hopefully soon the general public will be able to see the chick too. (Our access was due to our roles as volunteer Sanctuary Storytellers).
And not only do we have a calendar, but through October and November, selected and additional photographs and longer stories from the calendar will be on exhibition in the Zealandia Stairwell Gallery. Come and find out why we love Zealandia so much!
With stories by Louise Slocombe, Vanya Bootham, Chris Gee, and Lynn Freeman, and photographs by Janice McKenna, Hayley May, Andrew Hawke, Linton Miller, Chris Gee, Lynn Freeman, Brendon Doran, and myself, there is something of interest for everyone.
And now the 2019 calendar is sorted, I'm already thinking about 2020 - what would you like to see featured?
The volunteer Storytellers' support Zealandia's fundraising efforts with the calendar and postcards, amongst many other activities. Individual artists and photographers also have high-quality prints and photographs available in the store. Proceeds from sales go directly to support Zealandia's not-for-profit conservation and restoration efforts.
I'm going to take you behind the scenes of what has been one of my most popular posts on social media recently and let you in on how it came about... I know it has been puzzling some folks...
It was a typical Sunday morning, mid-winter at Zealandia, on our regular photowalk and we had just reached the pontoon to spend some time with the kāruhiruhi families as they went through their morning rituals. The low sun was just starting to break around the corner, back-lighting the birds and sparkling the dew still hanging on the leaves. Then the rays hit the chilly lake and ethereal mist began rising. For once I was delighted to have lost the battle as to who had the 24-70mm and who had the 100-400mm lens!
The magical misty light hung around for only a few minutes; just enough time to take a bunch of photos with the wrong settings and then to figure out something that might work better and to hopefully get a nice shot. And the photos were indeed "nice," but not much more and I put them aside. On returning to them some months later, I realized that there was no one shot that had everything, but with some judicious compositing I could create a scene with a story.
I know some people have assumed that this image is a single photograph and have puzzled over how I got the shot, so I'd like to set the record straight, so to speak. And in one sense it is "just a photograph," far less messed about with than some of my images. But I believe that adding artistic licence and liberating oneself from pure photography, it's possible to more accurately capture a moment experienced and to share that emotion.
So what did I do? Four very similar photos went into this image - each was selected for what the birds were doing over the course of just 5 minutes. One was swimming making a spiral of ripples, two youngsters were looking excitedly into the water, another was "hanging out the washing to dry", and others were looking with anticipation into the new day. No one photo showed all that happening and there was no time to wait until they simultaneously did something - the mist was fading too fast. Choosing one photo as the main image, I did a first pass through camera raw to make basic adjustments to the exposure and lighting. I then carefully masked, adjusted with camera raw, and composited in the alternative birds to create a more interesting version of the scene. Then came a little bit of secret sauce; using Topaz Impression to add in a silky, painterly feel at a lowered opacity over the image, and then layering painted textures using soft-light blend modes to subtly change the lighting. When viewed at full size, the more painterly feel is much more apparent. A couple of passes through adjusting highlights and shadows and spot-healing distractions completed the image.
Do you like this image more or less now that you know how it came to be? Do you feel cheated and that it somehow isn't real? Does it take away the magic knowing what was added and how it was made? Or do you feel like you've seen through my eyes and into my soul? Have we shared a moment?
What an incredible week for wildlife lovers in Wellington! Our first blessing was a kiwi pukpuku (little-spotted kiwi) out foraging during the day at Zealandia. Finally a chance for some photos under good conditions! Although quite unusual behaviour for a nocturnal bird, he seems healthy and is feeding well. There looks to be plenty of grass grubs on offer. Speculation is that he may have lost his territory to a competitor so is feeding during the day to minimize conflict. I wonder too if his vision has deteriorated further (he has a known eye issue) and he might not be able to tell day from night anymore - kiwi don't have strong vision, relying far more on smell and hearing, so it's not necessarily a problem for him. A visitor asked me if perhaps he should be taken somewhere where he can be looked after and have his day-night regulated, but really what better place than at Zealandia where he is safe to roam free where ever and when ever he chooses?
Our second blessing was the sudden appearance of a southern right whale in Wellington Harbour. It is a beautiful sight to see a whale frolicking in our picturesque harbour, especially on Thursday night as a calm sunny day descended into a pink sunset. The mood on the waterfront was joyous as Wellingtonians came together to experience this special moment. A moment of poignancy too as we reflected on the killing field that Wellington Harbour once was when whaling was in its heyday, and how we humans nearly hunted whales to extinction. It's thought that at one stage there was only one breeding female southern right left, and all today descend from her. Let's hope our visitor stays and brings friends!
Wellington can be a difficult and challenging city - this weekend is shaping up to be a good example - but moments like these make living here all worthwhile.
#WhyWellington #CantBeatWellingtonOnAGoodDay #NaturalCapital #Wellington #FreeWelly #kiwisforkiwi #zealandia
The hashtag #WhyWellington started as a marketing exercise but took on a life of its own as hundreds of Wellingtonians wanted to share with the world what makes our city so special. This week, Wellington gave us a reminder of why we choose to live here with a spectacular dusk and sunset. We started at Zealandia and then headed up Wrights Hill in Karori, where we were treated with fire and glory looking over Makara and ethereal pastel shades over Wellington City. The clouds looked painted on! I've put together this slideshow so you can enjoy too.
#WhyWellington #CantBeatWellingtonOnAGoodDay #sunset #NaturalCapital #Wellington
Week 1 of the Art of Birding Challenge (#artofbirdingweek1) and the first assignment was to go somewhere off the beaten track where we hadn't been before and take a photo that might inspire someone else to also visit. I chose Birdwood Reserve because I wasn't sure my legs were up to taking on the Faultline Track at Zealandia, which was Plan A.
I am so glad I didn't take on a 365 challenge as I'm struggling (failing) to keep up with a weekly challenge. Rather than doing them weekly, I find I'm doing a bunch at a time or when an opportunity arises, rather than deliberately setting out to do a challenge each week. Throw in some procrastination and perfectionism, it's a recipe for dipping out before the challenge is completed. But I am determined to see this through though, and today did a big push to catch up with the third quarter, even if some aren't my best work. Will I get the last quarter done by the end of the year? Feel free to place your bets!
Week 27 - Communication (Artistic)
I love how the light from her screen makes her face glow.
From teeny-tiny fungi to crazy kākā, the 2018 Zealandia calendar is a cracker! The creating of the calendar is one of the biggest projects my volunteer Sanctuary Storytellers group at Zealandia undertakes. Every year it gets better and better, with gorgeous wildlife photography and compelling stories. And at $19.90, it makes the perfect stocking stuffer or secret Santa gift. You can get it from the Visitors Centre shop or order online.
Not only are there 13 months, but NZ holidays are marked along with significant wildlife and conservation days. And every cent made goes back into conservation.
A true team effort with photos, writing, research, and editing from: myself, Vanya Bootham, Rosemary Cole, Brendon Doran, Lynn Freeman, Chris Gee, Chris Helliwell, Eeva-Katri Kumpula, Hayley May, Janice McKenna, Linton Miller, Ali McDonald, and Louise Slocombe.
It's taken me this long to complete the second quarter of the Dogwood 2017 weekly photography challenge because I struggled to get Week 14 Panning completed. Panning is hard! So without further ado, here are the results....
Week 14 - Panning (Technical)
This challenge has been "dogging" me for weeks, so what better subject to choose than a doggo. Must be the slowest pan ever done, but it's done!
With more rain forecast, we headed out this morning to Zealandia to get a quick walk in and see if anything interesting was happening.
...go to Zealandia of course! Of course? Yes it might be a bit chilly, and a bit showery, and a bit gloomy, but rug up well and you'll see lots and have fun!
Today four of us headed out, picking up a couple of strays along the way. For once we were all shooting with micro four-thirds cameras (a Panasonic GX7, two GX8's, and an Olympus OM-D), which given the low light was going to be challenging, but we were up for it. Well most of us were - Janice was certainly missing her Canon 1DX. It wasn't a day for birds in flight, so I decided early on to just pop on my 20mm/f1.7 prime and see how far I could push it.
After a hearty breakfast for some at Rata Cafe, we headed in just in time for the first shower. A quick change of plans and we grabbed the boat instead and took the sheltered scenic route into the valley. This week's Dogwood photo challenge is an f/8 portrait, so what better subject than Skipper Chris. I like how the narrower aperture means the valve tower comes into focus in the background.
For over three years I've been searching for Zealandia's kākā kura - a very rare red colour morph (variation), seen and photographed by a lucky few, but not by me. And finally I saw a wee orange head emerge repeatedly from within a clump of muehlenbeckia to feed. She was unmistakable! With salmon-orange feathering on and around her head, rather than grey and yellow, and an overall colour of burnished mahogany, she was drop-dead gorgeous. And nothing like any other kākā I'd ever seen.
Such a shy character too, but given how much she ate, I suspect she has many hungry mouths to feed and so was willing to take the risk of being seen by humans. Kākā are not normally that shy, but I suspect only kākā kura with shy genes survived the onslaught of Victorian collectors, who were hell-bent on scoring yellow, white, and red kākā colour-morph skins for their pathetic but highly-prized collections. If only they had cameras rather than shot-guns...
And this shy girl is of special significance to me - she came from one of the nests I monitor and I'd even held and cuddled her when she was banded and micro-chipped back in 2010 (and this is why I left the leg-bands in the image rather than photo-shopping them out). Back then, her colouring was normal so it presumably only changed after her first moult - she wasn't seen again until 2013. So as she's a banded bird, we know for sure it's the same bird each time she shows up, and we do know a little bit about her history.
Her mum "Pinky-B" was one of the first generation of kākā to hatch at Zealandia after the initial translocation. Her dad "Heath" hatched the year after. Both mum and dad are the progeny of the infamous Alfie Kākā and his first partner, making them brother and sister, albeit from different nests. Pinky-B and Heath were prodigious breeders too, so who knows what other interesting recessive genes and mutations are out there. Heath disappeared some years ago, but Pinky-B keeps going, though now she's partnered with her son/nephew and her fertility has dropped.
Nothing gives me more joy than heading out with my camera and friends to Zealandia EcoSanctuary for a day of wildlife photography, bad puns, and good coffee, so I thought I'd share with you some of my favourite photos from our recent outings. Just hover over the images for the story behind each.
I've just had a search through Lightroom and I have over 7000 photos tagged Zealandia with 295 different dates over 13 years - and those are just the ones I've kept! And I can't wait for the next outing - there is always something new to see or a different angle on a familiar scene. I firmly believe that Zealandia is just as much a sanctuary for us humans as it is for the wildlife.
Access Octomono Masonry Settings
Judi Lapsley Miller
Fine art inspired by the stories of birds and the natural world. Starting with photographs, I let my imagination take me on flights of fancy. What is real and what is imagined is blurred. What is physical and what is virtual is disrupted. Bursting with colour and life.
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