Some people dislike the holey nature of kawakawa (Piper excelsum), but I think it gives this under-rated native shrub some personality. Each leaf is uniquely carved out by the every-hungry kawakawa looper moth caterpillar. The birds adore the fruit and I adore a nice cup of peppery Kawakawa Fire tea.
It's week 2 in the 2020 Art of Birding challenge, and it was a simple one - to get inspired by leafy greens. Though my apologies to our snowed-in Northern Hemisphere participants who had much more of a challenge on their hands. I'm so glad so many of you were able to uncover some evergreen leaves.
400mm, f2.8, 160s, ISO 400, 0EV
I love taking photos of leaves, and often use them in my art by overlaying them with textures and collaging them to make leaf arrangements. Some examples are:
Do you have a favourite leaf?
We're kicking off Week 1 in the 2020 Art of Birding photo challenge with "Where I Stand," which alludes to the Māori concept of "tūrangawaewae" - a place of empowerment and connection. As a Pākehā and as someone who grew up living in many different places, I can only have an inkling of what it feels to be connected to the land in that way. The closest I come is my current home in Wellington, New Zealand, and especially Zealandia EcoSanctuary. For the past 16+ years I've been involved in this huge community project to restore an inner-city valley to a pre-human ecosystem. Not only have we transformed the valley into a lush landscape teaming with birdlife, but we've transformed the surrounding city. Wellingtonians are now fortunate to live in one of the few places in the world where biodiversity is increasing.
Today we went for a typical walk at Zealandia, but instead of the usual feelings of peace and tranquility, I was struck by the feelings of impending doom. The light was low and the air filled with haze and the faint smell of burning. Not because of anything local, but because the apocalyptic climate-change-enhanced bush fires from Australia have spread smoke across the Tasman Sea over 2000km away to New Zealand. The scale of these fires is unfathonamble and unprecedented and I can't bear to think of the lives lost - both humans and other animals. So many friends and family across the ditch are in harm's way.
It's the start of new year and a new decade, which should be a time for hope and anticipation of good things to come, but it feels more like the beginning of the end of life as we know it. Is it really as bad as we're told? According to this recent article by Jonathan Franzen, it's probably worse, because as he quite rightly points out, scientists tend to be cautious and underestimate the likely impacts of climate change. We are now living a "new normal".
So what can we do? It seems so insurmountable, but I'd rather we try than just give up. It may just be a little thing, but I hope that this photo challenge gives some of us a voice to our concerns, and, in conjunction with compelling imagery, will spread ripples throughout our friends and families. Showing our love for our wildlife and wildspaces and what we have to lose if we don't change our ways. Right now. Right away.
Creativity ebbs and flows and after a busy patch doing something else it can be hard to get back into it. Sometimes the business side of art, other work, and life has to come first for a bit. I've been reflecting on what's helped me in the past and I thought I would share my thoughts with you - I know I'm not alone in needing some inspiration (and a kick in the pants)! I'd love to know what works for you - feel free to add ideas in the comments...
1. a reward for getting going
Photo-art teacher Sebastian Michaels taught me that you have to turn up, and keep turning up, for your muse to arrive. She won't take you seriously unless you take yourself seriously too. I like to hook in a reward for turning up - something as simple as a cup of coffee or tea in a special mug first thing in the morning can get me out of bed and ready for action. For a long time I was starting every morning with art, but somehow I got out of the habit. This is probably the number one thing I need to remedy in my quest to get creative again. Sebastian's 21-days to creative abundance is a good kick-starter. I also love Elizabeth Gilbert's book "Big magic: creative living beyond fear". Might be time for a re-read...
2. The time is now
There's no point waiting for the perfect time to get creative - there is no better time than now, even if just for a few minutes. Waiting for the perfect time means so many lost opportunities. I find when the perfectionism/procrastination ramps up so that I find I'm waiting for the perfect time, when it arrives I'm out of practice and risk squandering the opportunity. A little bit more often, even if not ideal, means I'm more likely to have days when I find my muse and get into the zone.
3. Message a trusted friend
It makes a big difference touching base with artist friends regularly to inspire each other with plans and schemes and to bounce ideas around. I'm blessed to have a couple of artist friends that regularly check in and are quick with positive encouragement. We all need people in our lives that believe in what we're doing, especially for those times when we don't believe in ourselves.
5. Try a new art medium
Seeing a favourite subject in a new way can help, and what better way to feel enthused than a visit to the art store for new and interesting art supplies. My life was forever enriched when pastel artist Karen Rankin Neal put me onto shimmery Pan Pastels and Dahler Rowney pearlescent inks! It's what took me from a purely digital world into experimenting with Giclee print embellishment, mixed media, and big messes.
6. Do a creative course
I love getting creative and crafty with weekend workshops and online courses. Even if not directly related to my main artform, they can lead to creative connections. The weekend picture framing course I did last year at The Learning Connexion unleashed an entire product line (TinyArt), produced a rewarding collaboration with friend and framer Chris Helliwell, and enabled me to get bolder and more creative with my framing choices. There are so many free online courses and tutorials on literally every creative endeavour - start with YouTube and you'll soon be on an adventure. Did you know all the classic Bob Ross "Joy of Painting" courses are online and free? All 403 of them! What a resource! I've not been taking advantage of my subscriptions to the online KAIZEN (enrollments currently closed) and Shift Art photo-artistry communities, both of which have an incredible wealth of creative tutorials, and I will get back into them tomorrow... or even today... I promise.
7. Schedule social media
Being active on social media is an essential part of most modern artist's lives, but it so easy to go down unrelated rabbit holes and never return. Make time for social media, but not at the expense of the most productive hours of the day. I have to relearn this lesson again and again and again… how about you?
8. Join a regular creative challenge
daily, weekly, or monthly creative challenge can be a fun way to keep trying new things and to build a habit of creating regularly. I created the weekly Art of Birding Wildlife & Nature Photography Challenge in 2018 to push myself to try new things, and then invited the world to join me. There are now hundreds of people also doing the challenge and we're all set to go for 2020 - check back in early December for the new challenges. Next year's challenges will emphasize creativity and composition, won't rely on having special gear, will have extra credit challenges, and will work for both photographers and other artists. I'm excited!
9. Create something just for fun and just for you
It can be too easy to get caught up in the mindset that everything created needs to count. But sometimes it's best to relax and take the time to create something just for ourselves. It's especially important if you're having an "attack of the shoulds" (when you hear yourself saying "I should be doing this" and "I should be doing that"). It took two days to make this crazy-complicated secret Belgian binding notebook, but I loved every moment. Especially fossicking through my decades of interesting paper scraps. Want to make one too? There's lots of tutorials out there and I referred to many, but the lovely Jennifer aka Sea Lemon tutorial was the clearest.
10. Fill your world with inspiration
Enrich your surroundings by subscribing to art magazines (check out Artists Down Under), collecting art, following artists on social media, and going to exhibitions. Try the Excio app that puts art and photography on your phone's wallpaper. Put on some of your favourite music, grab your tools, and get creating!
Do any of these suggestions resonate with you? What works for you? What else would you recommend I try? Let me know in the comments below...
[An article for budding artists who are taking the plunge to exhibit their work, though art buyers might also be interested in what goes on behind-the-scenes of an exhibition]
So you've taken the plunge and agreed to do an exhibition - congratulations! One of the first major decisions is framing. If you've not done it before, it can be quite intimidating. Hopefully this blog will take some of the uncertainty out of it, or at least will help you know which questions to ask.
My key take home message? It is important to see the frame not merely as a vehicle for the print but as an extension of the art itself.
So what's going on here? We have a super-intelligent parrot - Polly to her friends, but Professor to her students - at home and trying to relax but the kids are testing out their camera skills. We've all been there...
There's something about the aesthetic of old family photographs that I perversely love - the retro wallpapers, the jaunty angles and lack of focus, the look of terror on the poor victims, the fashion faux pas - and of course the memories - they're a delight to relive. And I found some wonderfully cringing examples in my old family photo archive to share so you can perhaps see where I'm coming from with lovely Polly.
Judi Lapsley Miller
Fine art inspired by the stories of birds and the natural world. Starting with photographs, I let my imagination take me on flights of fancy. What is real and what is imagined is blurred. What is physical and what is virtual is disrupted. Bursting with colour and life.
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